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"I don't make songs for free, I make 'em for freedom," he raps on "Blessings." "Don't believe in kings, believe in the Kingdom." By now, you better believe. It's not every day you decide to listen to a metal band that specializes in brutalizing your eardrums with songs with titles like "Beast Whip" and "Elephant Graveyard." But the Colorado metal duo's first album since 2009, their first one released since founding member Phil Mc Sorley left the band after spewing hateful rhetoric, is worth journeying into the abyss for.Discarding their black metal aesthetic for a more eclectic blues- and punk-inflected sound, is a new creative peak.It's filled with rage and beauty, with epic, riff-heavy songs pummeling you with the same intensity of a Swans record or an unrelenting horror film. Release date: January 8th Label: Columbia/RCA/ISO When David Bowie died, he left behind a legacy that stretched beyond the limits of music.
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These are records that people will be talking about at the end of the year, the debuts that will spark long careers, the comebacks that redefine certain artists, and the masterpieces you'll be playing years from now, when you want to remember what was popular before Kanye West became president. Smith, long a favorite of anyone who hunts for Eno-esque synth soothers on Bandcamp, is an experimental artist who melds the astral pull of Oneohtrix Point Never with all the earthly bliss of a songwriter like Julia Holter.
Listening to this album is like watching a UFO land on a lily pad. Despite its grinning cover art, collaborative spirit, and gospel leanings, So, this mixtape is filled with grown-man shit.
Release date: May 12th Label: Self-released "When did you change? In between all the joyful partying ("All Night" and "Juke Jam"), he's pondering his legacy ("Mixtape"), worrying about his city ("Angels"), and fearing God ("How Great").
" asks Chance the Rapper on the wistful "Same Drugs." "Wendy, you've aged. Putting aside the indie-policing -- riding Steve Jobs' ultra-corporate light beam to a possible Grammy nomination isn't the same as giving a mixtape away at a playground -- this record is still a model of independence that's based in community.
Instead of repeating old tricks and returning to the comforting -- and legendary -- sounds of his art-rock youth, the space oddity kept pushing forward, experimenting with free jazz, sample-ready drums, and post-rock guitar tracks.
The atonal cries of "Lazarus" give way to the groove-heavy "Sue (Or in a Season of Crime)," and it all ends with the moving electro-pop flitter of "I Can't Give Everything Away." It's not as death-obsessed as it may appear; it's bursting with life.
Release date: March 4th Label: Top Dawg Entertainment "Get Top on the phone!
By now, most fans have gotten used to the idea that artists both young and old can release new music at any moment, but with the rise of monolithic streaming services like Spotify, Tidal, and Apple Music, it's possible to discover new music every single day -- or to avoid it entirely.
You can be a model of eclecticism or live in a self-created cocoon of Pearl Jam bootlegs.